So I thought I would try out some modern Regency fiction, and it's possible to borrow some at Internet Archive. Well.
I have bad memories of the only Harlequin novel I read back in the Stone Age, and the one I read on Internet Archive is the same thing. Literally. All the modern attitudes, with just some famous names from Austen stuck in.
I know some of you don't mind that.
If you're like me, that's not good enough. You can find all of Austen, Edgeworth, Radcliffe, and Ferrier on Internet Archive, along with Mary Brunton and the "memoirs" of Perdita and courtesan Harriot Wilson. You owe it to yourself to read them. Georgette Heyer's novels won't hurt; they were written in the 20th century, but Heyer grew up in the pre-war milieu and understood her foremothers-in-writing better than we can now.
You can also find the sermons of Blair and Porteus, which you can use for your clergy, as well as the famous Fordyce's Sermons to Young Women, both volumes.
And of course Byron, Mrs. Hemans, Shelley, Keats, Coleridge, and Scott's Marmion and Lady of the Lake -- and Thomson and Cowper, so often referred to in Austen. Mrs. Hemans was a wife and mother to five sons. Her poetry used similar subjects to Byron's, was expressed almost as passionately, was more approved and popular for longer, well into the Victorian period, and influenced women poets for decades. She wrote "The boy stood on the burning deck," a favorite declamation for over a century, and coined the phrase "the stately homes of England" paraphrased by Quentin Crisp in The Naked Civil Servant.
Did you know that Frankenstein was published in the Regency period? And a novel by Byron's friend Polidori, the first Vampire novel ever?
And you can find most of the Northanger novels:
Clermont 1: https://archive.org/details/bim_eighteenth-century_clermont-a-tale-in-fou_roche-regina-maria_1798_1
2: https://archive.org/details/bim_eighteenth-century_clermont-a-tale-in-fou_roche-regina-maria_1798_2
3: https://archive.org/details/bim_eighteenth-century_clermont-a-tale-in-fou_roche-regina-maria_1798_3
4: https://archive.org/details/bim_eighteenth-century_clermont-a-tale-in-fou_roche-regina-maria_1798_4
The Mysterious Warning 1: https://archive.org/details/bim_eighteenth-century_the-mysterious-warning-_parsons-mrs-eliza_1796_1
2: https://archive.org/details/bim_eighteenth-century_the-mysterious-warning-_parsons-mrs-eliza_1796_2
3: https://archive.org/details/bim_eighteenth-century_the-mysterious-warning-_parsons-mrs-eliza_1796_3
4: https://archive.org/details/bim_eighteenth-century_the-mysterious-warning-_parsons-mrs-eliza_1796_4
The Castle of Wolfenbach: https://archive.org/details/the-castle-of-wolfenbach-eliza-parsons
The Necromancer, volume 1: https://archive.org/details/bim_eighteenth-century_the-necromancer-or-the-_kahlert-karl-friedrich_1794_1
2: https://archive.org/details/bim_eighteenth-century_the-necromancer-or-the-_kahlert-karl-friedrich_1794_2/page/n1/mode/2up
The Orphan of the Rhine: https://archive.org/details/theorphanoftherhine/page/n1/mode/2up
The Midnight Bell: https://archive.org/details/midnightbell0000lath
(You can't download this one, you'll have to borrow it.)
The seventh novel, Horrid Mysteries, is not available online complete, except one place where you can find it with a web search. Or try Valancourt Press, they offer it for sale.
Get out your favorite Austen books, go on Internet Archive, and search for their titles or authors. Eliza Parsons was a voluminous writer, having children to support. Reading more contemporary novels will make your Regency writing better -- if you think carefully about the differences between the authors' and characters' lives and how we live now, then do the research to fill in the gaps so your readers also understand.
I just discovered one of the best resources ever, The New British Traveller, by James Dugdale. First printed about 1789, it was reprinted in the early 1800s as a number of pamphlets. The unsold ones were bound together, with an added preface and introduction, in 1819. If you want realistic portrayals of the shires in your writing, you must download this from Internet Archive and study it.
Volume 1: https://archive.org/details/newbritishtravel01dugd
Volume 2: https://archive.org/details/newbritishtravel02dugduoft
Volume 3: https://archive.org/details/newbritishtravel03dugduoft
Volume 4: https://archive.org/details/newbritishtravel04dugduoft
Along with the 1816 edition of Debrett's peerage, volume 1 being England and volume 2 being Scotland and Ireland.
Volume 1: https://archive.org/details/debrettspeerage07debrgoog/page/n7/mode/2up
Volume 2: https://archive.org/details/debrettspeerage04debrgoog/page/n5/mode/2up
and an 1819 edition of the baronetage, knightage and companionage
https://archive.org/details/debrettsbaroneta14unse
So that if you plan to include real people in your writing, you can at least name their county and seat correctly, let alone give the pedigree and whatever other information you need for your story.
You can also find floor plans for Regency buildings online. The novel I read talked of lobbies in inns. In the Regency period, even the Royal York Hotel in Bath did not have a lobby. The doorman let you in to a hall large enough for a sedan chair, which would have protected customers and their guests on rainy days. You went to the concierge's desk and explained your business, and were seen up to your rooms where your luggage, sent ahead in a separate coach, had already been bestowed and was unpacking at the hands of your man or maid. There were breakfast rooms and coffee rooms and dining rooms. But at an inn, you went through the door into the taproom, where the landlord and landlady took care of you.
Then there are the attitudes. When a woman vowed to love, honour and obey, everybody expected her to obey -- whatever it was she meant by love and honour. The only cash she had, her husband put into her hands. The only financing she got, was to have her modiste and other vendors send their bills to her husband. Many girls and some women had no idea of the cost of things, for this was pretty much how things worked before they married, only their fathers instead of their husbands overlooked the bills and paid them -- and then gave a thundering scold if they were too high.
A man had all rights over his wife. It was not until the reign of Queen Victoria that a woman could even have custody of her children, and then it arose from a court case where the wife could prove abuse. Richard Sheridan's granddaughter Caroline Norton became a woman's rights advocate.
Read up on her life, and also that of Catherine Tylney-Long, the mega-heiress whose husband only wanted her money. He bankrupted her, got a royal appointment to make himself immune to arrest for debt, but eventually fled Britain. He remained a "man of honour" to the end of his life, despite despoiling his wife, physically abusing her, and giving her a venereal disease.
Most Regency marriages fell between these two extremes -- but it was a matter of degree, not of kind.
It was a different world. Your audience deserves to see the real world of the Regency if you're going to set your novel in the Regency period.
I'm just saying...